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What's power pop?

Power pop (or powerpop) is a popular musical genre that draws its inspiration from 1960s British and American pop and rock music. It typically incorporates a combination of musical devices such as strong melodies, crisp vocal harmonies, economical arrangements, and prominent guitar riffs. Instrumental solos are usually kept to a minimum, and blues elements are largely downplayed. Recordings tend to display production values that lean toward compression and a forceful drum beat. Instruments usually include one or more electric guitars, an electric bass guitar, a drum kit, and sometimes electric keyboards or synthesizers. While its cultural impact has waxed and waned over the decades, power pop is among rock's most enduring subgenres.
Wikipedia

Who's power pop?

Badfinger, Dwight Twilley Band, Big Star, The Raspberries, Blue Ash, 20/20, Cheap Trick, Shoes, The Records, The Motors, The Spongetones, Marshall Crenshaw, The Knack, The Smithereens, Jellyfish, Teenage Fanclub, Weezer, Brendan Benson...

and many, many more

What's this Tumblr all about?

This is a place for videos, songs, photographs, articles.. anything and everything power pop. A celebration of jangly guitars and sweet harmonies! A cornucopia of catchy choruses and chiming chords!

Power pop links
Powerpopaholic
Absolute Powerpop
Magnet's power pop issue
Allmusic: Power Pop
Last.fm tag: power pop
Bandcamp tag: power pop
Peter's Power Pop
TV Tropes: Power Pop
Reddit: Power Pop
The Beginner's Guide To Power Pop

Who runs this Tumblr?

Hi! My name is Mark, I'm a 29-year-old English geek, and there is (slightly) more to my life than power pop.. if you enjoy these posts I'd love it if you followed my personal Tumblr :)

5 plays
Attic Lights,
Live on BBC Radio Scotland 17th May 2013

Attic Lights - Say You Love Me (live acoustic)

I raved about the newest single from Scottish posters Attic Lights a few weeks ago, and on the 17th May Kev and Colin from the band were broadcast on BBC Radio Scotland, where they talked about the new album and played a couple of acoustic songs. Listen to the session here (it begins at 1 hour 25 minutes) for the next 5 days, or download it here!

17 plays
Weezer,
Make Believe

Weezer – Beverly Hills

“I was at the opening of the new Hollywood Bowl and I flipped through the program and I saw a picture of Wilson Phillips. And for some reason I just thought how nice it would be to marry, like, an “established” celebrity and live in Beverly Hills and be part of that world. And it was a totally sincere desire. And then I wrote that song, Beverly Hills. For some reason, by the time it came out - and the video came out - it got twisted around into something that seemed sarcastic. But originally it wasn’t meant to be sarcastic at all.” - Rivers Cuomo

trashycreatures:

Out Now on CD:

The Late Show “Live In Concert” 1979-1980 ! 10 performances taken from two different FM radio broadcasts. You can get it here: http://store.trashycreatures.com/products/1393369-the-late-show-live-in-concert-cd 

Also available:

The Late Show “Portable Pop” with 4 previously unreleased studio recordings cut prior to the album ! Preview both at www.trashycreatures.com/downloads

Both are available on one high quality cassette as well through Burger Records !

Asker Anonymous Asks:
Hey Mark. How do I send you some new power pop music that I think you'd like to check out and possibly write about?
power-pop power-pop Said:

I just enabled the submit feature, feel free to send over any links etc! Leave me an ask from your username if you want my email address.

phonoselect:

Coming up this Saturday May 11th Phono Select Records Presents and Punch and Pie Productions brings you the not to be missed Power Pop/MOD/Punk/Rock n Roll show of the year over at Bows and Arrows!

Click here for more info and the Facebook Event Listing link.

Don’t miss out!

Thank you so much for this wonderful blog!
power-pop power-pop Said:

Any time! Hope you enjoy the posts, feel free to reblog as much as you like ;)

Zero Hour Records have just released a tribute to The Records, and now they’re looking for artists to cover a song from the Dwight Twilley Band’s two classic LPs, Sincerely and Twilley Don’t Mind, for their next release. Check out Zero Hour’s site and Facebook page and get in touch if you want to contribute!

Badfinger: last act in a rock’n’roll tragedy


They were supposed to be the next Beatles; but a series of tragedies, mismanagement and “rock and roll rip-offs” left Badfinger little more than a sad footnote in musical history.



But now the 1970s power-pop band are finally getting the recognition their fans believe they deserve, as the city of Swansea today unveils a blue plaque to troubled frontman Pete Ham, who committed suicide, aged 27. The plaque, close to the city’s railway station, will honour Ham as one of the region’s “finest musical talents”.
At the peak of the band’s fame he played “Here Comes the Sun” at New York’s Madison Square Garden with George Harrison, but Ham is now largely remembered for writing a song – “Without You” – that Harry Nilsson, and Mariah Carey would later cover to global success.
Dan Matovina, a US record producer wrote one of the few books about the band – Without You: The Tragic Story of Badfinger – is to speak today at the ceremony. He will say: “Pete Ham presented us with beautiful songs, people fell in love to his songs, got married, to them, reflected on their broken hearts, dwelled on the messages of peace, love, kindness, understanding, he reached out in testament of the best of the human spirit.”
The band had started out as The Iveys in the mid-1960s and were discovered by Beatles’ roadie Mal Evans. Their demo records convinced The Beatles to make Ham’s group the first signing to their Apple Records.
After a rocky start, they changed their name and a song written by Paul McCartney called “Come and Get It” gave Badfinger an international hit.
They would go on to produce hit songs including “No Matter What” and “Day after Day” before writing “Without You”, which has been covered about 180 times.
Ham was the driving force behind the band. “He was so gifted, but it came not just from talent but hard work, a perseverance, a belief in himself that great effort could bring fulfilment and success,” Mr Matovina said.
Problems started towards the end of 1971 after issues with Apple Records, and the band headed to Warner Brothers Records. They had hired American Stan Polley as their manager a year earlier, which would have tragic consequences.
During the next few years, despite releasing a series of albums, tensions rose and the band began to split at the seams. Polley had signed them to a ruinous contract that left him with the lion’s share of the earnings – sparking a series of legal disputes.
Warner sued Polley after an advance vanished, and after the manager disappeared, the band were left penniless. One fellow musician would later describe it as a “rock and roll rip-off”. Believing he had been wiped out, Ham hanged himself in his garage three days before his 28th birthday. He left a note telling his pregnant wife and her son that he loved them: “I will not be allowed to love and trust everybody. This is better. Pete. PS Stan Polley is a soulless bastard. I will take him with me.”
Mr Matovina will say: “It’s a very hard business, full of shysters, huge egos and people more than willing to use others for their personal gain.”
He feels Ham needed people who “were willing to stand up for him”.
Badfinger fell apart, and an attempt to reform four years later failed. Two of the original line-up, Joey Molland and Tom Evans set up rival Badfinger bands. Evans, Ham’s writing partner, suffered more mismanagement and was hit with a $5m lawsuit after another disastrous contract. In 1983, after a bitter argument with Molland about the royalties for “Without You”, Evans put down the phone, went to the garden and hanged himself. Many said he had never got over Ham’s suicide.
Ham’s daughter, Petera, who was born a month after the musician killed himself, will attend today’s ceremony. She said last year: “I miss my father every day and I know that he will be there at the event looking down on family and friends, as they sit in his beautiful Swansea and listen to his music and honour his memory.”
Mr Matovina believes Swansea inhabitants should draw inspiration from Ham – “a genuine artist who did everything the right way”.
“Swansea you should be so proud of this man, your native son,” Mr Matovina will say. “Here you are, his community, to protect his legend and the legend of his band. By celebrating and memorialising Pete Ham today with this blue plaque, you can now become the protectors of his legacy.”

Badfinger: last act in a rock’n’roll tragedy

They were supposed to be the next Beatles; but a series of tragedies, mismanagement and “rock and roll rip-offs” left Badfinger little more than a sad footnote in musical history.

But now the 1970s power-pop band are finally getting the recognition their fans believe they deserve, as the city of Swansea today unveils a blue plaque to troubled frontman Pete Ham, who committed suicide, aged 27. The plaque, close to the city’s railway station, will honour Ham as one of the region’s “finest musical talents”.

At the peak of the band’s fame he played “Here Comes the Sun” at New York’s Madison Square Garden with George Harrison, but Ham is now largely remembered for writing a song – “Without You” – that Harry Nilsson, and Mariah Carey would later cover to global success.

Dan Matovina, a US record producer wrote one of the few books about the band – Without You: The Tragic Story of Badfinger – is to speak today at the ceremony. He will say: “Pete Ham presented us with beautiful songs, people fell in love to his songs, got married, to them, reflected on their broken hearts, dwelled on the messages of peace, love, kindness, understanding, he reached out in testament of the best of the human spirit.”

The band had started out as The Iveys in the mid-1960s and were discovered by Beatles’ roadie Mal Evans. Their demo records convinced The Beatles to make Ham’s group the first signing to their Apple Records.

After a rocky start, they changed their name and a song written by Paul McCartney called “Come and Get It” gave Badfinger an international hit.

They would go on to produce hit songs including “No Matter What” and “Day after Day” before writing “Without You”, which has been covered about 180 times.

Ham was the driving force behind the band. “He was so gifted, but it came not just from talent but hard work, a perseverance, a belief in himself that great effort could bring fulfilment and success,” Mr Matovina said.

Problems started towards the end of 1971 after issues with Apple Records, and the band headed to Warner Brothers Records. They had hired American Stan Polley as their manager a year earlier, which would have tragic consequences.

During the next few years, despite releasing a series of albums, tensions rose and the band began to split at the seams. Polley had signed them to a ruinous contract that left him with the lion’s share of the earnings – sparking a series of legal disputes.

Warner sued Polley after an advance vanished, and after the manager disappeared, the band were left penniless. One fellow musician would later describe it as a “rock and roll rip-off”. Believing he had been wiped out, Ham hanged himself in his garage three days before his 28th birthday. He left a note telling his pregnant wife and her son that he loved them: “I will not be allowed to love and trust everybody. This is better. Pete. PS Stan Polley is a soulless bastard. I will take him with me.”

Mr Matovina will say: “It’s a very hard business, full of shysters, huge egos and people more than willing to use others for their personal gain.”

He feels Ham needed people who “were willing to stand up for him”.

Badfinger fell apart, and an attempt to reform four years later failed. Two of the original line-up, Joey Molland and Tom Evans set up rival Badfinger bands. Evans, Ham’s writing partner, suffered more mismanagement and was hit with a $5m lawsuit after another disastrous contract. In 1983, after a bitter argument with Molland about the royalties for “Without You”, Evans put down the phone, went to the garden and hanged himself. Many said he had never got over Ham’s suicide.

Ham’s daughter, Petera, who was born a month after the musician killed himself, will attend today’s ceremony. She said last year: “I miss my father every day and I know that he will be there at the event looking down on family and friends, as they sit in his beautiful Swansea and listen to his music and honour his memory.”

Mr Matovina believes Swansea inhabitants should draw inspiration from Ham – “a genuine artist who did everything the right way”.

“Swansea you should be so proud of this man, your native son,” Mr Matovina will say. “Here you are, his community, to protect his legend and the legend of his band. By celebrating and memorialising Pete Ham today with this blue plaque, you can now become the protectors of his legacy.”

Teenage Fanclub - Ain’t That Enough

25 plays

The Beat - Don’t Wait Up For Me